Friday, February 14, 2020

The Glass Menagerie by Tennessee Williams Research Paper

The Glass Menagerie by Tennessee Williams - Research Paper Example The Wingfield family is torn apart due to the failings of its breadwinner – Mr. Wingfield. The play has garnered critical acclaim both as a work of written word as well as an enacted play. The further adaptation of this play into a movie is a testament to its enduring essence. But many critics believe that the play is best experienced through theatre performances. Consequently, many production houses have performed it time and over during the last seventy odd years. The intricate design of the plot and superlative performances from star casts of previous productions is now part of legend. Laurette Taylor’s performance as Amanda Wingfield is now acknowledged by many veterans as the best of the century. Just as the powerful script and excellent acting contributes to the success of the play, so does the direction, visualization, music, sound effects and other technical features. The rest of this essay will present the ideal approach to each of these facets to the play, so that the end product would capture all the definitive qualities behind the play’s resounding success. There are a few things to remember while choosing the cast for the play. The character of Amanda is central to the play and it should be assigned to someone who can portray the rugged southern belle image. She should be a strident and bold personality to fit with the description of someone who drove her husband away. The accent too should be spot on to reflect the southern mindset and sensibility. The actor playing Tom Wingfield should reflect the dreamy nature of his character, because he has to deliver the dialogues and monologues equally efficiently. The final speech by Tom in the final act of the play is especially crucial to the overall effectiveness of the play, for this passage is one of the most poetic, intensive and poignant in the entire play. The virginal daughter Laura Wingfield is someone whose dreams are as fragile as the animals in her precious glass collection. The actor for this role should thus play with sensitivity and a restrained sense of quiet tragedy. The chall enge in shaping the character of Tom is to bring to life the idea that the viewer is watching Tom turn his memories, his pain and guilt, into a work of art. To this extent it could be said that author Tennessee Williams was attempting to create a non-realistic theatre, using the literary devices and technical production tools available to him in the 1940s. Hence, modern productions of the play can incorporate some changes, without actually losing the essence of the narrative. For example, rather than a typewriter, Tom's means of turning the stuff of his life into art can be through a video camera. It can always be with him, even when he's disengaged from the action or sets the camera down momentarily. The other characters are seen from Tom's viewpoint, and the projections of what he sees come to represent the layers of his memory. By removing the burden of realism, one is able to hear the play anew. Coming to the scenic design, the director should ask ‘To what degree do we wan t to follow Williams's copious stage directions about lights, clothes, projections and so on?’ The fact that walls and furniture don't seem to be that useful for actors, makes the director look for less literal ways of solving the world of the play – in other words, capturing its essence without total adherence to author’s original and preferred mise-en-scenes. Lighting design for the play can also be challenging at times. For

Saturday, February 1, 2020

Thesis paper Outline Proposal Example | Topics and Well Written Essays - 750 words

Paper Outline - Thesis Proposal Example As stated by Barner and Rosenwein, â€Å"[d]emocratic values are in essence participatory values. At the heart of democratic theory is the notion that people should get involved in the process of governing themselves†¦Ã¢â‚¬  (Barner & Rosenwein 1985, 59). Thus far, studies on performance appraisal in public organizations have been focused on fundamental issues such as the nature of these principles, their interpretation and significance, and their evolution and function over time. There has also been agreement among political theorists, such as Jurgen Habermas, on the essence of citizenship participation in democracy, and it has been asserted by Max Weber (as cited in Riccucci 2007) that theory should contribute more to the knowledge of how democratic principles like extensive participation or high involvement develop and evolve in highly industrialized nations, such as the United States. Nevertheless, it is important to mention here that its widespread implementation in the United States throughout the 1960’s and 1970’s was intended primarily to facilitate genuine democratic governance (Graham, Noe, & Branch 2006, 953). Practically, it was designed to promote involvement by minority groups and the poor that have been excluded from the governance and decision-making process. It is due to these issues raised above that the researcher is persuaded to study the relationship between the accountability of, transparency of, and quality of public services in performance-based organizations (PBOs) and citizenship participation in the performance appraisal of public personnel. Which features, if any, of PBOs’ processes are more vital for the enhancement of public personnel performance that reinforces democratic principles of greater citizenship participation? Addressing these questions appropriately may expand our understanding of the function of public organizations in democratic societies. As stated by Pateman, the theory of participatory democracy emphasizes the